当前位置：首页 >> Marc Minkowski、Les Musiciens du Louvre、Ann Monoyios、Catherine Napoli、Jean-Paul Fouchécourt >> Titon et l'Aurore, Op. 7, Act 3, Scene 4 - Mondonville: Titon et l'Aurore, Op. 7, Act 3, Scene 4: Prélude - "Quel dieu m'anime et me rend la clarté" (Titon, L'Aurore, L'Amour) (泰索尼斯和欧若拉 - 第三幕 场景4：“上帝怎样激励我，让我清楚？”) 歌词
LRC歌词
Titon et l'Aurore (English: Tithonus and Aurora) is an opera in three acts and a prologue by the French composer Jean-Joseph de Mondonville which was first performed at the Académie royale de musique, Paris on 9 January 1753. The authorship of the libretto has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de La Marre. Titon et l'Aurore belongs to the genre known as the pastorale héroïque. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s. The tremendous success of Mondonville's opera at its premiere was an important victory for the French camp (although their Italian rivals claimed that this was because they had been excluded from their seats by members of the army). Titon was one of Mondonville's most popular works and went on to enjoy several revivals during his lifetime.
文本歌词
Titon et l'Aurore (English: Tithonus and Aurora) is an opera in three acts and a prologue by the French composer Jean-Joseph de Mondonville which was first performed at the Académie royale de musique, Paris on 9 January 1753. The authorship of the libretto has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de La Marre. Titon et l'Aurore belongs to the genre known as the pastorale héroïque. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s. The tremendous success of Mondonville's opera at its premiere was an important victory for the French camp (although their Italian rivals claimed that this was because they had been excluded from their seats by members of the army). Titon was one of Mondonville's most popular works and went on to enjoy several revivals during his lifetime.
