The last Loney, Dear album before the one-man D.I.Y. Swedish indie-folk project was signed to Sub Pop Records in late 2006, Sologne isn''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''t notably different from Emil Svan?ngen''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''s earlier homemade records. A sense of quiet and stillness pervades Sologne; even relatively upbeat and fully arranged songs like "The City, The Airport" sound like they were recorded so as not to annoy the folks in the next apartment. As a result, it takes several liste...