by Richie UnterbergerGraham went into a somewhat harder-rocking bluesy groove on this record, though a strong jazz feel was always present in the rhythm especially. More than any other Graham LP, this offers proof that the guitarist would have established himself as a major star on the folk circuit in the '60s -- if only his singing was better. As a guitarist, he's simply wonderful, combining folk, jazz, and blues styles into an invigorating, idiosyncratic style that can both swing and attain a delicate sadness. As an interpreter, he's relentlessly imaginative, breathing new vigor into overdone R&B standards, or devising fresh folk arrangements for Beatles and Paul Simon tunes. But as a vocalist, he's adequate at best; if he had even possessed the modest expressiveness of a Bert Jansch, the material would be that much more striking. Almost none of these tracks are available on Graham compilations, and this rare LP is definitely worth seeking ...