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Scriabin: The Complete Préludes, Vol. 1

Scriabin: The Complete Préludes, Vol. 1

The musical ambitions of Alexander Scriabin (1872–1915) leaned towards the gigantic: five symphonic works, an opera project and the millennial Mysterium bear witness to this. But by natural inclination he was a miniaturist, writing throughout his career many pieces ‘short as a sparrow’s beak or a bear’s tail’, as one commentator caustically put it. These evocations, sometimes a page or less in length, can be seen as forerunners of the ‘fleeting visions’ of a Prokofiev and as descendants of the equally compact Préludes of Chopin. The first piece on this recording dates from 1889; the bleak final set of Préludes was composed after both of Debussy’s cycles, in 1914, shortly before Scriabin’s sudden death from septicaemia. Like a musical Fabergé, Scriabin is capable of creating a glittering world in a tiny space; the exquisite writing reflects the composer’s own subtle pianism, which he liked to describe as ‘crystalline’ and ‘perfumed’, but moods ...

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