Kenneth Gilbert专辑介绍：Gramophone 4/1990, Nicholas Anderson The Art of Fugue or ''complete practical fugal work'', as C. P. E. Bach described his father's giant contrapuntal achievement, is well represented in the current recording catalogue. The approaches to it vary considerably with performances on solo keyboard—harpsichord and organ—and mixed ensembles with markedly different shades of instrument colour. Varied too, is the sequence in which the performers play the fugal parts which comprise the whole. Some complete the final fugue, some do not; some find a place for all the pieces included in the posthumous original edition of 1751, others have given reasons for omitting those which seem not to play a directly relevant part in Bach's scheme. Kenneth Gilbert leads us down another fascinating path his performance on a solo harpsichord follows not the 1751 printed edition but Bach's own autograph material differing from the other both in c...