“The two concertos are distinguished by their classical musical language rich in ideas and their colorful instrumentation. Eberl’s music radiates with a lightness similar to that of Mozart, which is why the later confusion about the authorship of their works comes as no surprise. The piano part has a glistening and brilliant sound, while the orchestra forms a richly instrumented accompaniment. The melodic invention and harmonic structure are of timeless beauty.” This is what klassik.com wrote of the Vol. 1 featuring the piano concertos of Anton Eberl. Vol. 2 with his Concerto for Two Pianos op. 45, a work highly esteemed by his contemporaries, has a stylistic design adhering to the ideals of Viennese classicism and stands out for its multifaceted instrumentation. Eberl too seemed to have had a high opinion of this work. Whenever it was possible, he performed it during his concert tours throughout Germany, for example, in Berlin with Giacomo Me...