If, God forbid, there were ever a need for a Christian equivalent of R. Kelly, the distinction would most certainly go to artist/producer J. Moss. Alongside his ubiquitous production troupe PAJAM, Moss is credited with creating some of the most self-referential gospel music of the 21st century, whether the man is handling churchy contemporary gospel or slick urban-pop confections. The proclivity toward name-dropping himself is augmented by the singer's insistence to multi-track his own vocals, creating a mini-chorale effect that's distinctively PAJAM, but too much of an acquired taste for the uninitiated. Regardless, all of the above seemed to work on The J. Moss Project, Moss' breakout debut as a solo singer, and if it wasn't broke, why fix it on V2..., his second go at it. Naturally, things are bigger and bolder, and the production values are through the roof. They have to be: like his work with Kierra KiKi Sheard and 21:03, Moss places tons...