With her third album, South Florida musician Green has fully evolved from the smart purveyor of odd pop on Junk and Stuff and The Nineteen Hundreds to a singer-songwriter of dizzying skill and imagination. Accessible and yet mysterious all at once, Wicked Witch gives the lo-fi aesthetic a symphonic bloom. Ragged guitar tones, rounded piano strokes, ethereal noise and familiar chords all converge in a confessional, orchestrated rush. The Wicked Witch package is illustrated with keepsakes from Green's childhood, and the music often feels like a document of the struggle to grow up. On the opener Give It a Chance, her voice is a curious, distant flutter against a panoramic wall of sound: "Everything was so inviting/I was 15 years old." Green takes an empty-the-hope-chest approach both to composition and arrangement, as if digging through belongings to find the most poignant objects and assembling them in some highly symbolic order. So Many Ways ...