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C.P.E. Bach: Geistliche Oden Und Lieder Mit Melodien
CARL PHILIPP, LIEDER COMPOSER
We must assert, with the French musicologist Marcel Beaufils, who wrote a great deal on the topic, that the word lied does not really mean anything. It would seem to be related to lai, itself derived from the Welsh, Cornish and Breton lay. It would by then already be an evolved form, a “musical poem”, as Paul Zumthor puts it in his Histoire littéraire de la France médiévale, or, in Paul Tuffrau’s eyes, a “prose narrative interspersed with songs”. By the 12th century it has lost any resemblance to the Celtic lai. In Germany, we find the form leich, a sort of dance-song which, with the Minnesänger, will develop into a cultivated, non-strophic form often used to praise the Virgin: a kind of madrigal. Throughout Germanic history, other terms connected phonetically and semantically to lay or lai had arisen: liet, leod, lieth... Or hluti, that is... sound. None of this sheds much light on the matter.
Some time wou...
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