" A familiar name on the improv scene, the restless Canadian Joe Williamson has issued three albums simultaneously. The King of Herrings is a harsh experimental trio and The Inhibitionist a challenging solo double-bass set. Unexpectedly, Everything Should Have Been Just Fine finds Williamson and overqualified friends playing Pavement-flavoured slacker rock, studiously fumbling chords that come easily to them between instrumental breaks that offer more than the genre requires. The album's as-live aesthetic makes you feel you're in the corner of a rehearsal room, watching the coolest nerds in school just pleasing themselves. "(Sunday Times review - Feb. 2010)